04/03/2026
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The average person on this planet feels nauseated when confronted with the ramblings of the president of the Degenerate States. That’s why my readers won’t be forced to listen to this absurd Joe Biden-style drivel. For masochists, there’s always the option of tuning into this nonsense, but the health risks could be serious. You can, but no one has to listen to this load of nonsense while reading Thursday’s analysis—an article on ZeroHedge: Oil Spikes As Trump Vows To Hit Iran “Extremely Hard Over Next 2-3 Weeks”, Threatens To Send It “Back To The Stone Ages.”
In contrast to Trump’s unrealistic and contradictory claims, Iranian President Masoud Pezeshkiani’s logical and authentic speech on Wednesday is like a breath of fresh air to us:
The Iranian people harbor no enmity toward other nations, including the people of America, Europe, or neighboring countries. Even in the face of repeated foreign interventions and pressures throughout their proud history, Iranians have consistently drawn a clear distinction between governments and the peoples they govern. This is a deeply rooted principle in Iranian culture and collective consciousness—not a temporary political stance.
For this reason, portraying Iran as a threat is neither consistent with historical reality nor with present-day observable facts. Such a perception is the product of political and economic whims of the powerful— the need to manufacture an enemy in order to justify pressure, maintain military dominance, sustain the arms industry, and control strategic markets. In such an environment, if a threat does not exist, it is invented.
Since Israel began bombing Lebanon in early March, Lebanese musician Mahdi al Sahely has been posting mini-concerts from the bombed-out neighborhoods of Beirut.
In one of his posts, he plays a melody from Steven Spielberg’s 1993 film “Schindler’s List,” composed by John Williams. It is likely one of the most significant works that, for over three decades, has raised awareness among audiences—particularly in the West—of the suffering of Jews during World War II.
Thanks to Sahely, the timeless soundtrack now resounds amid the ruins of the capital of a country that—according to analysts like Max Blumenthal—is being subjected to ethnic cleansing by the State of Israel, step by step.
The contrast between the creative process of music and the destructive force of war finds its embodiment here.
Source.
Ordinary people are suffering on both sides of the conflict. They are the true heroes of this tragicomedy. They watch as the bodies of their loved ones are pulled from the rubble. They speak a language you don’t understand, but that doesn’t mean they’re characters from a video game. They feel just as you do; they have families whose loss they mourn. The suffering is not virtual.
Now that the descendants of the victims of the cruel repressions carried out by the Nazi regime—created in Germany and supported by the Western financial elite—are themselves becoming perpetrators, the world has come full circle in its tragic history. They will not witness the coming of the Messiah. The only thing they will witness is a vast desert of rubble. Perhaps their long-awaited temple was meant to look exactly like this?
Author of the article: Marek Wojcik
Email: worldscam3@gmail.com
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